The switchable polar pattern means its versatile, and can easily adapt to your situation. In Asia, call 852-2893-4290. Additionally, the KSM9 has a built-in shock mount that helps to reduce noise from vibration, making it ideal for use with high-end instruments. Keep in mind, Heil mic is more sensitive, which is both a pro and a con. I work for a medium sized provider in the UK, we have 16 channels of UHF-R (a mix of UR4D and UR4D+). Microphone sound absorption and reflection. Our robust and effective solutions create market success. Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. In isolation, the KSM8s sound character is very obviously far more natural and tonally balanced than either the Beta 58 or SM87A, and it is much, much easier to maintain a consistent sound quality and level when using the mic handheld. Enter the KSM9, a new handheld condenser microphone developed for high end live sound usage. Featuring one of the most innovative cardioid polar pattern microphones that Shure has developed to date, the Dualdyne cartridge of the . Sound enters the microphone via the side entry inlets and passes through the rear second diaphragm before striking the front diaphragm. Both mics respond exceptionally well to lead vocals, with each having its subtle nuances and flavorings that are sure to deliver the goods in many different applications hear it for yourself . KSM9 is a top line mic and I assure you its pretty tough the capsule is well protected, and if dropped, the internal suspension can easily handle the shock. The Shure KSM8 is a dual-diaphragm cardioid dynamic mic designed primarily for vocal performance. Sound Magic Blue Grand, 2 Steinway grand pianos collection, Crackling / Popping Noise on XLR Microphone, Roger Linn teaches "Designing Physical Interfaces for Music". Price $699. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. The Neumann KMS 105 is a great choice for studio vocals. Shure KSM9 has two modes: cardioid and supercardioid. Every single component is new this is no evolution from previous Unidyne capsules: it came quite literally from a clean sheet of paper and a lot of innovative thinking! Occasionally we even see some completely new microphone technologies, with yet more hovering tantalisingly over the horizon. In Summary. They are just in completely different leagues. Reviewed by: Paul NarangReview date: October 2022Current price: Around $500. One of the standout features of this mic is its versatility it can be used for both vocals and instruments. Review: Best Wireless Mics to date For pros & Noobs! The KMS 105 also has a very high audio quality, making it perfect for professional recordings. Shure KSM9. The KSM9 is a two-channel microphone, meaning that it has two diaphragms, which are each made up of a membrane and a coil. . One other thing to note is that theres a very slight difference in the high-end response between the two switchable polar patterns. It is also nice to admit the technological advancements implemented in this unit. Shure Tech Portal open_in_new. Features. Where the magic happens! Their design used a complex arrangement of perforations drilled into separate brass plates which, when sandwiched together to form the microphone backplate, created an acoustic labyrinth behind the front diaphragm. Off-axis frequency response is very smooth. Big venue or loud stage this mic will definitely cut through the . In general, a single-diaphragm capsule provides more accurate results for distant (far-field) sound sources, having a more accurate cardioid response which rejects rearward sources more effectively, and also enjoying a more accurate on-axis frequency response. 3:06 Shure KSM9 Only Many singers love its ribbon-like feel, and although it may turn out beneficial for screaming or growling with a metal band, in your case, for a clean vocal you may need a brighter mic, so that it can cut through a dense mix more easily, such as KSM9, which also offers supercardioid mode for improved rejection, as long as you fix it on a stand and dont move around much. It may also be purchased as part of a Shure wireless system, or as an upgrade to an existing wireless handheld transmitter. Don't Let Dirty Power Ruin Your Recordings. What is the output level difference between Shures Beta 87A and SM58? The Shure KSM9 is a high-quality condenser microphone that is designed for live performances. The mic has a dual-diaphragm 19.8mm OD electret condenser capsule, with diaphragms mounted 3.7mm apart. This mic has a very flat and even range through the mids, before gently climbing through the high range from about 3kHz. Shure: KSM8 & KSM9 Microphones. We have always believed these are the ingredients that inspire and shape real results for businesses and brands. Shure KSM9 vs Sennheiser E965 for Vocals. It offers a frequency response of 20Hz-20kHz and a maximum SPL of 150dB. It is made from high-quality components, which ensures that it delivers excellent sound quality. The sound engineer will normally mute the mic from the mixing desk when needed. The active and passive diaphragms differ in that the active (top) one has a coil attached.Although the rear diaphragm isnt used as part of the electrical circuit in a fixed-cardioid capsule, it was subsequently discovered that it does play an important role in modifying the capsules proximity effect, which Ill come back to in a moment. PR35 has a lot of fans. Overall it is a mid-flat mic with low-end roll off around 110Hz, and rather than a single 5-10 dB presence peak around 8 . I prefer the KSM9 over the Beta87C. The "C" version is the best of the 87 lot for female vocals in my experience and I think the KSM9 is a huge improvement over it. Its one of those things that comes down to personal taste. Smooth high frequency response without a pronounced presence peak, Advanced internal pneumatic shock mount and the Diaphragm Stabilization System (DSS patent pending) work together to prevent handling noise, True cardioid pattern prevents feedback and provides consistent off-axis response, Hardened, dent resistant grille lined with hydrophobic woven fabric that rejects moisture as well as plosives for years of high quality use, Microphone techniques for live sound reinforcement. SM58. If the vocalist presses their lips against the grille there is a small but noticeable increase in the bass end, but it really is very moderate in comparison to most stage mics. This mic has a number of features that make the overall experience even more enhancing First of all, is a state of art suspension system for the capsule, which results in reduced handling noise. 2:33 Shure KSM9 Only KSM8. Spitfire Audio Hans Zimmer Collection. It offers a natural, open sound, with a very balanced low-end, beautifully smooth midrange and brilliant highs. I think its fair to say, condenser mics are generally most at home in the recording studio. Shure Audio Institute. With these scenarios aside, many vocalists will find that the KSM9 inspires confidence on stage. AKG C414 The Ultimate Comparison: XLS vs XLII vs B-ULS vs EB, Re: The Behringer Keyboards 'n' Stuff Thread #3, Re: Mic Question M300 vs MKH 8040 or alternative. In contrast, the dual-diaphragm capsule achieves a superior cardioid polar response and on-axis frequency response for close (nearfield) sources. Trademark Notices: The circular S logo, the stylized Shure logo, and the word, Shure are registered trademarks of Shure Incorporated in the United States. Traditional microphones confine the performer to a specific distance from the microphone. This delivers a more natural response throughout the vocal range, eliminating the need for a strong presence peak. To bring in more of the room sound, and the instruments around you, hold the mic 10 cm or more away from your mouth. The KSM8 is a dynamic microphone; the KSM9 is a condenser microphone. At the rear of the diaphragm the acoustic combination of these separate signals with altered phases and amplitudes results in an accurate cardioid polar pattern with a greatly reduced proximity effect. I think the champagne looks very chic! Because of this, Shure KSM9 is much easier to use when there are other singers or instruments on the stage. The standard voltage for phantom power is 48 V DC. A dynamic microphone revolution that only Shure could stage. Depending on your style, it may require some minor adjustments to your pronunciation, but in the end it is still more forgiving than a condenser. How careful do you have to be in handling? So, are there any downsides? However, what is new groundbreaking, in fact is the application of the dual-diaphragm configuration in a moving-coil capsule. mic. Good Luck! Your IP: The outer grille has been tempered to provide years of dent resistance. Over 90 years of audio experience has contributed to making this one of the finest microphones available. The lowest frequencies enter via the farthest entrance port, with mid and high frequencies entering through ports closer to the capsule. It offers a natural, open sound, with a very balanced low-end, beautifully smoothmidrange and brillianthighs. . . The Shure KSM9 can switch between two different polar patterns: cardioid and super-cardioid. Our team combines the holistic capabilities of researchers, designers, and engineers to craft and deliver solutions that align technical possibilities, market realities, and the needs and goals of people. Theyre both handheld condenser mics optimised for live performance. The Neumann KMS 105 microphone is the choice for professionals who demand excellence in their recordings. Now is the perfect time to get the gear you want with simple, promotional financing. Shure Audio Institute. The legendary Dan Erlewine, luthier Gene Imbody and Berklees Tomo Fujita have shot a 6-point lesson video to help, Deadmau5 delivers his verdict on AI music production: Its scary in the sense of how stupid music already is anyway, It looks like Gibson is going to start selling vintage guitars including a '59 Les Paul Burst, Damon Albarn reveals that the beat from one of Gorillaz best-loved songs was an Omnichord loop preset, Jacob Collier offers Steve Vai guitar playing direction and watches as Willow screams down a microphone, "We are changing vintage guitar collecting forever": Gibson officially launches Certified Vintage program, Producer Mura Masa says that PinkPantheresss Boys A Liar was made in a couple of hours, and that he didnt know about the Ice Spice 'Pt 2' remix until he saw the video. Large diaphragm mics tend to be better at capturing low-end, whereas smaller diaphragm microphones do a better job with higher frequencies and transient detail. With state-of-the-art manufacturing from superior components, each KSM8 Dualdyne is meticulously crafted and tested to uphold the quality standards of world-class Shure construction even in the most demanding live environments. XLR Male to Male, CableCreation [5-Pack] XLR 3 Pin Male to 3 Pin Male Microphone Line Adapter. The KSM8 mic is supplied in high-quality rigid protective case with zip closure, and comes with a 'soft-flex' stand adaptor clip and 5/8-inch thread adaptor. Single vs. Dual-diaphragm frequency response. So having the benefits of that technology available on stage for the live-sound market is very appealing. Ultimately they often sound better. Comparison of Shure KSM8 and Shure KSM9 based on specifications, reviews and ratings. The Shure KSM8 Dualdyne Microphone is the world's first handheld dual-diaphragm dynamic microphone, designed for professional vocal applications in live sound and studio environments. The dual diaphragm design gives it one active and one passive diaphragm, so its also inspired, to an extent, by some of the classic fixed-pattern twin-diaphragm condensers. Mic stands reduce any handling noise in the studio. The KSM8 really is impressive for a dynamic mic. MusicRadar is part of Future plc, an international media group and leading digital publisher. And of these, the SM57 and SM58 are industry-standard around the world. Naturally, the latter influences the price greatly, and the KSM8 is consequently the most expensive moving-coil stage mic currently on the market. In fact there are only a couple of small (less than 3dB) ripples in the response (around 3 and 5 kHz), with a fairly steep roll-off above 12kHz. They call it a three-stage grille or simply triple grille. Both mics share some internal design features too: they both have the dual diaphragm design, which delivers a nice smooth frequency response. This makes it ideal for recording vocals or instruments in a studio setting. Thus, it is like you buy one mic but end up with two, and you can switch themwhenever you want, which is quite very awesome. They both come with a built-in shock mount and are able to handle high volume levels. The Shure KSM8 Dualdyne Microphone is the worlds first handheld dual-diaphragm dynamic microphone, designed for professional vocal applications in live sound and studio environments. The event in which it gets out of order is quite unlikely, however, with a good amount of acceleration, anything can be achieved. The KSM9 also switches between cardioid and supercardioid polar patterns, so it can easily adapt to different live environments and singing styles. Second, nonetheless very important feature is a unique grille design that does an impressive job in reducing popping sounds. A dual-diaphragm design helps to reduce the proximity effect, and evens out the frequency response throughout the vocal range. The dual-diaphragm microphone greatly reduces the proximity effect, and low-frequency response remains consistent with distance. The D224 became the flagship model, but the D202 and slightly smaller D222 models were far more recognisable thanks to their very distinctive shape. He specializes in literature and creative writing, with a focus on fiction. This helps reduce handling and stand noise, as well as offering some protection to the internal circuit. It has a warm sound that is perfect for female vocals or mellow tracks. Loud rock/metal bands will probably prefer the resilience of a good dynamic mic. Read Also >>USB VS 3.5mm MicrophoneUHF vs VHF wireless microphone systemsRode NTK vs. K2 MicrophoneNeewer NW 700 vs. Neewer NW 800Sennheiser e935 vs e945 Microphone Comparison. Does anyone have any experience with the KSM9? Shure describe this arrangement as a reverse airflow technology, and although the pneumatic shockmount was patented over 50 years ago, they claim that no other manufacturer has implemented it successfully. Patent Notice: Patent Des. the Telefunken M80). Just make sure to point it where you want to and it will do the rest. One big difference is that the Neumann doesnt have a switchable polar pattern its a fixed supercardioid. Go for the shorter lengths where possible. However, the weight of the coil limits how responsive the mic can be, and it tends to struggle to replicate high frequencies and dynamic detail. The chart is fairly even, with no big peaks or troughs apart from a little dip around 7kHz. Dual-diaphragm technology has important benefits for vocal work, which is why virtually every studio vocal is conventionally recorded with a dual-diaphragm (capacitor) mic. For comparison the SM58 only reaches 15kHz. Overview. The capsule assembly process apparently involves ultrasonic and internal laser welding to help ensure excellent mechanical reliability, and the practical realisation of the Dualdyne capsule took Shures engineers seven years of development and optimisation. This model is renowned and remains a favorite choice of many musicians. Happy customers, one piece of gear at a time! . A good condenser will give any vocalist the air and sparkle required to effortlessly cut through the mix. However, if you imagine a noisy gig environment, you can see how you might run into problems with feedback and monitor bleed. This makes it almost identical in size to Shures KSM9 capacitor stage vocal mic. 5 () Theyre reliable, and lots of them sound great. and if so what are your opinions. Moving significantly beyond that range causes the bass level to fall off gently, and by 600mm (two feet) there is an obvious but still gentle attenuation of frequencies below about 100Hz. The Shure KSM9 runs best at this voltage, but can perform at voltages as low as 11 V DC. This website is using a security service to protect itself from online attacks. DUAL DIAPHRAGM TECH. This means theyre prone to overload and distortion from louder singers. But guess you are looking more into a dynamic type of mic. I am pretty familiar with the 87c, I like it a lot and it seems to be smooth and consistant. Its unique capsule gives the KSM8 a cardioid polar pattern that is unusually uniform across the frequency spectrum. The action you just performed triggered the security solution. I also noticed how the mic bodys tapering shape and weight distribution automatically guides a natural hand position well away from the grilles rear entry ports. Heads Up SoSer's - When SSDs Fail, They Fail Catastrophically! American Standard Pitch Notation, a true work of evil. Feel free to call us toll free at (800)222-4700, Mon-Thu 9-9, Fri 9-8, and Sat 9-7 Eastern. It's the industry standard live vocal mic. The high end of the voice comes over with a smooth, neutral aspect, free from the almost resonant peakiness that most stage vocal mics deliver. Nevertheless, we dont think this should detract from what is a beautifully made and classy performer from mic giants Shure. Having used them both extensively with flat EQ no compression and no effects here is my 2cents on these mics. Cloudflare Ray ID: 7a2dba687d4fa3ab Follow us. The results were always stellar and we use the wireless versions of KSM9 on our singers with James Taylor to this day. This product meets the Essential Requirements of all relevant European directives and is eligible for CE marking. Comparison of Shure KSM9 and Shure SM58 based on specifications, reviews and ratings. In other words, the acoustic impedance of the diaphragm increases as the frequency gets lower. DuPont de Nemours and Company in the United States. I own a SM7b and want a mic with similar quality for when I feel like holding the mic and being free. A Sweetwater Sales Engineer will get back to you shortly. Shure's KSM9 is a stage condenser in a traditional handheld form factor. Electro-Voices product range now includes several Variable-D mics although the most iconic and recognisable is undoubtedly the RE20. 71 user ratings. For a better experience, please enable JavaScript in your browser before proceeding. At the low end, a small amount of proximity effect is apparent if the source is closer than about 25mm (one inch), but between 25-75mm (one to three inches) the response is well balanced and very consistent.